UNDER THE OVERPASS( practical exercise referring to Gilles Deleuze FRAME & SHOT)
In the beginning camera moves to left which composes the space under a metro overpass - the apartments in the back ground, overpass in the mid ground and the vehicles moving in the foreground-the spatial composition of diagonals and parallels constitutes the frame here. The visual information in the foreground (movement of vehicles) extends to an other space. The closed system evolve to a new unseen set which exists in the other side. By the camera moves from left to right the out of field space is unfolding in time-modifying the respective position of the set. Here the frame comprising many parts the scrap store, movement of workers doing their daily work and the natural light- an absolute change from the other space. The sound of metro unfolding an unseen space in opposite direction. The movement to the other direction decomposed into relative movements-distribution between the elements. Both sides of the overpass encompass different lives which is united by a fine thread which is the metro overpass. The vehicles are the general movement in both directions. The movements composed ,decomposed and recomposed when it is established between the parts of the set. The ending of the shot reveals the overpass, recomposing the frame by composing the both sides like the movement which continuously ensures conversion, circulation. These movements generated a qualitative difference in the frame, the whole frame is continuously divided and reunited the objects into a single space in the end of shot. The apartments, overpass and the peoples passing the road which are blended into a single perception-humanized nature.
This shot is framed by focusing only on one side of the overpass initialy, leaving an information of the other side (movement of vehicles). By (00:45) revealing the other side, (00.54) sound of metro unfolding an unseen space and in the end recomposing both the sides of metro overpass.
-GAYATHRI RAJAN(Roll no:1)
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