Beyond the ashes ( Deleuzean Perspective- Shot, frame, movement) by Anirban Das, CET-2

 

Link- https://youtu.be/XTNKoB34H1k?feature=shared







A frame / set has a great number of parts : ‘sub-sets’ or parts. They may be composed in Parallels & Diagonals etc.


This 5-minute, one-take shot framing as a closed system, organizing all visible elements into a single shot . The frame itself is a dynamic space, structured through motion, each contributing to the narrative's,3.28 sec compose and decompose (When the kid was caught in the frame with a love-painted balloon). The areas outside the frame—out-of-field—are crucial, adding depth by either remaining subtly altered to influence viewer perception. The shot becomes a "movement-image," where not only the relative movements within the frame but also start evolving narrative on 1.22-1.55 sec when the camera shifts from the burnt doll to the baby girl.Editing techniques like montage and camera mobility, while traditionally used for complex transitions, become less relevant in a single shot, but the movement within the frame serves as a stand-in for these techniques. Ultimately, the shot embodies a dual nature, balancing relative elements within the frame and the larger, absolute shifts in the narrative. The result is a unified progression of story and form, creating a different narrative experience that unfolds in real time, maintaining both continuity and intense in this frame.


Anirban Das

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